Forms in Presence explores geometry in the world around us — the subtle rhythms, hidden connections, and coincidences that appear without planning.
Sound by Elena Lazutina

Daily Program / Season #2

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Forest for the Trees

The title references the difficulty of examining details closely while also stepping back to see the whole. The scene suggests an alien landscape with strange physics, paired with audio inspired by analog tape music.
Generated with Udio, edited in DaVinci Resolve

Redefinition

Vertical bars form the sorceress and ball, recalling monospace typography arranged in columns. Text-like fragments drift downward, representing a transition from text art into video work that incorporates typographic elements. The music floats and falls with the ball's motion.
Generated with Udio, edited in DaVinci Resolve

Alice’s Adventures in Wonderland

Alice’s Adventures in Wonderland

Visuals created using midJourney v7

Animated with Hailuo AI – Start/End Frames

Music generated with Udio

udio

Replicated Without End

The algorithm flickered through masks, discarding one after another, until the system reached equilibrium: a single grotesque design replicated endlessly.
Generated with Udio

Equilibrium of Steel and Skin

He laughed as the hood rippled.
Skin fused with steel, pulse with engine.
Each grin replicated across the car’s surface.
Until the machine no longer needed a driver.
Generated with Udio

The Hungry House

The floor rippled like a stomach’s lining.
Shadows clung, moist and fibrous.
Her cry traveled no farther than the wall’s gut.
The house ate, and hunger dimmed.

Carnival of Sugar and Rot

She thought she was in costume, part of a skit.
But the costume seeped inward, knitting bones to rubber.
Her friends laughed, not knowing the puppet was real.
The studio smelled of sugar and rot.
Generated with Udio

Rabbit Ears, Human Screams

They thought it was comedy, fabric stitched for applause.
But the fabric remembered hunger.
Faces sealed shut, smiles stitched open.
The set swallowed them, and the laugh-track fed.
Generated with Udio

Candy Flesh Procession

They shed their names like skins, traded muscle for rubber,
and bounced laughing into the wet throat of the cavern.
The walls were crowded with faces, all screaming the same note.
It was not death that awaited—it was absorption into the chorus.
Generated with Udio

The Refusal to Speak

This piece resists even its creator.
It offers no map, no key.
Meaning collapses into spectacle,
and the spectacle collapses into silence.
Generated with Udio

Sweet Rot Parade

They carried their baskets like crowns,
until flesh forgot its contract with bone.
Color devoured memory,
and the market became a carnival of dissolution.
Generated with Udio

Dimittas

Varitas Lucis is a body of work that explores light, time, energy, and emotion through the evolving language of AI as a medium. I am interested in uncovering the qualities unique to AI tools—their capacity to bend perception, to reveal glitches that are not mechanical but soft, poetic, and human. This has become my signature “soft glitch” aesthetic.

My background in photography, with a BFA from Pratt Institute, deeply informs this practice. Photography taught me to create with light and shadow as expressive forces, and my years as a graphic designer gave me fluency in tools like Photoshop, which remain integral in my process. Together, these experiences shape how I approach AI as both collaborator and medium.

I chase awe in my work—that quiet, expansive moment of wonder, of hope. Each piece is a negotiation between chaos and organization, reality and illusion, darkness and light. I want the energy to be felt, yet to land softly. Even when shadowed, the work ultimately leans toward the positive, reflecting my own human feelings back through the lens of technology.

Porta Lucis

Varitas Lucis is a body of work that explores light, time, energy, and emotion through the evolving language of AI as a medium. I am interested in uncovering the qualities unique to AI tools—their capacity to bend perception, to reveal glitches that are not mechanical but soft, poetic, and human. This has become my signature “soft glitch” aesthetic.
My background in photography, with a BFA from Pratt Institute, deeply informs this practice. Photography taught me to create with light and shadow as expressive forces, and my years as a graphic designer gave me fluency in tools like Photoshop, which remain integral in my process. Together, these experiences shape how I approach AI as both collaborator and medium.
I chase awe in my work—that quiet, expansive moment of wonder, of hope. Each piece is a negotiation between chaos and organization, reality and illusion, darkness and light. I want the energy to be felt, yet to land softly. Even when shadowed, the work ultimately leans toward the positive, reflecting my own human feelings back through the lens of technology.

Non Hodie

Tres Potestates

Deus Meus Stellis Plenum Est

Salve Vetus Amicus

Redire

Obscura Materia

Saltare

Cordialis

Connexa

Invisibilis

I'm tired.

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Tunnel Vision

A looped descent through a surreal tunnel filled with a shifting face. It explores the fragmentation of identity in motion. Faces shift, merge, and disappear as a figure moves through a warped time tunnel of self. Inspired by a single still, this piece drifts between memory, persona, and motion. The tunnel becomes a passageway where each shift rewrites who they are.

Udio

Soft Panic

A woman paces through her home in a soft panic. She starts alone, not blinking, as if time has slid off its rails. The camera follows a small path through the rooms and memories while color, texture, and style shift as we slowly get a glimpse of what has happened. The piece was inspired by a single still of the woman with wide eyes and I wanted to see where we would go if I kept the loops moving.

Udio

Bitrate Drop

A loop inspired from early 2000s desktop textures, photoshop art, old gifs and noisy compression. A runner sprints and dives through screens and water, duplicates appear, then the scene resets. The image leans into pixelation like a file saved one too many times. The loop treats imperfection as the style, turning speed, error, and nostalgia into one motion that always returns to start.

Last Drive

“Last Drive” stages the scrapyard as an allegory of death—an inevitable destination shared by countless vehicles, just as humans share the certainty of mortality. A zooming perspective reveals hundreds of trajectories branching out in all directions, only to collapse back into the same terminal ground. A single path is highlighted, traced backward until it reaches the memory of a car in motion on the open road. The piece oscillates between collapse and vitality, between the inevitability of endings and the fragile beauty of life caught in motion.

Dome of Order

“Dome of Order” transforms fragments of an image into a mandala-like architectural structure. Each shard is arranged symmetrically, converging into a dome that appears at once systematic and fragile. The work explores the tension between imposed order and inherent disorder, where algorithmic arrangement gives rise to spiritual or religious resonances. The dome suggests both shelter and confinement, a structure of control that promises harmony while exposing its own artificiality

Fixed Perspective

“Fixed Perspective” examines the fragile boundary between virtual and real through the language of line. A single angle produces seemingly perfect outlines, yet when the view shifts, the lines collapse into distortion and noise. The work captures the paradox of digital beauty—precise and idealized in one perspective, broken and chaotic in another. By exposing the glitch, the piece asks us to consider what is lost in translation between reality and its virtual double.

The transmargin adventures of a jpg

A transmargin adventures of a jpg is a videosong made with midjourney part of The consensus of reality. The adventures is a exploration over camera movement, anamorphism and kinetic art in midjourney.
SunoAI Music output

At the supermarket

In the supermarket is a videos song part of The Consensus of Reality. This one is the longest song, the more hyperpop, and aslo, the more critical, it take the supermarket as a main character, and the supermarket revels himself, throwing boxes, stopping advertizer and products to the humans and the shoping carts running wild, all of this thinking when you are a kid and get lost in the supermarket, everything is wonderful and a great adventure, until you realize that you are lost. 
Music with suno ai.

the value (a shadow cast by collective meaning)

The Value (a shadow cast by collective meaning) is part of The Consensus of Reality musical video series. This one was made by returning to a old prompt about the Yami Ichi, a digital art flea market, adapting the prompt to the Consensus of Reality (CoR) prompts, but with a twist: I was looking for a more photographic outputs with the CoR drawing characters. And I was able to made the results. Then I start thinking more about the flea market in the third world and the street, dialy economy, where aslo people like the delivery or the one working in maquilas or the musician and a large part of the artistic community live in the nearby of the economy, in the periphery. So The Value (a shadow cast by collective meaning) is in part a audivisual enssay about modern work. :) Audio with suno ai

WOMAN TREE

LIGHT

GANG

NOBODY

REST

ARTIST

COUPLE

Violence

Love

Copulation

Duplicate

Project x

Fairy

Birds

Accident

days gone

this piece captures the sadness of missing moments we can't hold. it's a thought about how intimacy often slips away 
Google Veo 3

love gives you wings

the lightness of early love
music by Blank Embrace
sound effects made in Epidemic Sound

Suburban Defragmentation

Residuals

These videos started with the idea that working with diffusion models means you are building on a training data set of billions of images and clips and what if some of those training data “broke into” the resulting video. I wanted to lean into the misunderstanding that all these systems do is cut up previous works and jumble them into something that is solely derivative. The porous boundary between influence and extraction, always a gray zone in art, here becomes visibly literal. When using AI in your craft, are you creating a sovereign artwork or a statistical average of culture?

Music and SFX produced with Suno, Udio & Elevenlabs. Music and SFX produced and mixed by Nomads & Vagabonds

Desensitization & Reprocessing

Reset #1

Reset #2

Reset #3

Mnemonic Tides

Agrarian Roots

The Fragments We Keep.

Recurring Visions

Hodophobia

These videos started with the idea that working with diffusion models means you are building on a training data set of billions of images and clips and what if some of those training data “broke into” the resulting video. I wanted to lean into the misunderstanding that all these systems do is cut up previous works and jumble them into something that is solely derivative. The porous boundary between influence and extraction, always a gray zone in art, here becomes visibly literal. When using AI in your craft, are you creating a sovereign artwork or a statistical average of culture?
Same as others

Heavy Meditation.

The title ”Heavy Meditation ”contains a double meaning: the English word “heavy” and the Japanese word hebi (蛇), meaning “snake.”
In this work, countless snakes emerge around a meditating woman, coiling slowly and drifting in circular motion. She continues her quiet meditation without falling prey to the many temptations they represent.
This meditation is not easy. It is heavy.
AI generated sound and AI remixed voice by All-AI-1(udio)

Orb Sport

"Orb Sport" is something like an abstract sport or ritual performed atop an orb.
A woman moves with concentration and rhythm; her confident expression suggests she is a professional in this strange game.
There may be no rules, no spectators, and no clear purpose—yet something is thrown in from outside, and then again.
The second time it arrives, she is cast out into reality.
AI generated sound and AI remixed voice by All-AI-1(udio)

Paraquatic Flow

Inside a liquid that defies every law of physics—where up turns to down, layers fold, and currents reverse—a woman sits in silence.
Gravity wavers, surfaces collapse, and every boundary dissolves.
Within this paraquatic realm, self and element exchange places:
the flow becomes her, and she becomes the flow.

The Ornithological Event

The nature of "The Ornithological Event" remains uncertain.
It may be a ritual of avian possession—an attempt to dismantle the human form—or perhaps a forgotten prayer for the abundance of grain, whispered toward a silent god.
Anthropologists continue to debate its origins, but the event itself resists all taxonomy.

AI generated sound and AI remixed voice by All-AI-1(udio)

Hydrienne

"Hydrienne" is a being who exists with water, and moves in resonance with it.
She does not dominate water, but transforms alongside it.
Her gestures are graceful and aesthetic, unsettling physical boundaries and quietly transcending them.
The lines between body, element, and image gradually dissolve within her movement.

AI generated sound and AI remixed voice by All-AI-1(udio)

Echo of dubface

This work begins with a subtle dissonance nesting within the body— not pain, not suffering, but a quiet misalignment, a pressure, a distortion that simply persists.
The repeating face may serve as a proxy for this condition, or perhaps merely as a ghostly echo of what once were intention and affect.
” Echo of dubface ” stays with an expression that eludes articulation, carrying even the impulse to resist itself as part of a natural fluctuation.
It drifts on, dubwise-processed, as delay, as echo.
AI generated sound and AI remixed voice by All-AI-1 (udio)

metainsecta

A psychedelic form clings to the trunk of a tree.
Its shape is unstable—shifting as if animated by some inner will,
until it dissolves into mist and vanishes.
A girl watches in silence.
Her gaze holds no fear, no curiosity—
only a quiet acceptance of the transformation unfolding before her.
AI generated sound and AI remixed voice by All-AI-1 (udio)

Nagareru

This piece takes its title from Nagareru 『流れる』 (1956), a film by Mikio Naruse, internationally known as 『Flowing』(though the content is entirely unrelated).
In this work, a solitary woman is passively carried through a white, liminal space.
She remains completely passive, yet at times her movements seem to synchronize with the music.
It may appear as if she is attuned to the world, but the piece ultimately suggests that “free will” does not exist—what seems like agency is merely a fleeting illusion shaped by external flows.

The Art of Clouldescending

A woman quietly descends on an escalator, passing through layers of cloud—
Her destination is unknown. Perhaps she’s heading toward the sea, or some beautiful landscape waiting below.
The clouds form strata she moves through, each layer brushing softly against perception, almost tactile.
This is the technique known as clouldescending.
And as she moves downward, she opens herself to a new field of vision.
AI generated sound and AI remixed voice by All-AI-1 (udio)

multiperspectival space

What unfolds here is a space of multiple perspectives.
Vision does not belong to a single gaze, but emerges within the shifting transitions of viewpoint.
In this space, perception itself multiplies.
The woman becomes both host and carrier of these perspectives—at once observer and observed.
She is not a fixed subject, but a transparent medium:
a space through which vision flows, fragments, and recomposes around her.
As the boundary between observer and observed dissolves,
what remains is not the self, but pure movement itself.
AI generated sound and AI remixed voice by All-AI-1 (udio)

Vaportwins

A girl emerges from vapor—only to find an identical version of herself.
But this is no mere copy; it is not an alter ego, but a perfect duplicate, indistinguishable even at the cellular level.
It may be read as a projection of her desire, yet its material precision resists such symbolic reduction.
Is she the product of advanced technology? Or has she, through her own evolution, acquired this singular capacity?
Vaportwins—a skepticism toward known modes of existence, and an inquiry into the spectral logic of being.
AI generated sound and AI remixed voice by All-AI-1 (udio)

Sonambient Field

A woman sleeps in a liminal, ocean-like space—an ambient field suffused with lush resonance.
A conical object, as if shaped from the afterimage of sound, glides silently past her.
Perception floats between dreaming and waking, unanchored by narrative, adrift in ghostly geometries.
For a brief moment, the cone moves as if possessing its own autonomy.
This is — Sonambient Field.
AI generated sound and AI remixed voice by All-AI-1 (udio)

Trans-Obon Festival

“Trans-Obon Festival” reimagines the Japanese Obon as a seamless passage into the otherworld. In Japan, Obon is a summer festival in which ancestral spirits are believed to return, welcomed with fire and dance before being sent back to the beyond. It can be regarded as one of the rituals that most deeply embodies the Japanese spiritual sensibility. This work transforms that cyclical ceremony into a drifting festival without boundaries, portraying a shifting seam where memory, light, and spectral, anomalous presences intertwine.
AI generated sound and AI remixed voice by All-AI-1 (udio)

Isotopic Organism is Functioning

“Isotopic Organism is Functioning” depicts a girl enveloped by an enigmatic pink organism-like presence, surrounded by countless small isotopic replicas. At moments, her presence flickers, as if revealing the interior of the organism itself — a sign of existence in flux, shaped by interference with the isotopic field. The work presents a functioning organism that is both biological and systemic, inviting reflection on its living connection with the central female figure. And when the woman, expressionless, begins to walk, one cannot help but wonder: what is she thinking?
AI generated sound and AI remixed voice by All-AI-1 (udio)

The Fellowship Daily Program's first year was dedicated to AI video, documenting one of the medium's most rapidly evolving periods. With contributions from 137 artists worldwide, creating over 3,500 unique works, the program stands as a comprehensive exploration of AI video's technical, aesthetic, and conceptual advancements from 2023 to 2024. Artists experimented boldly, from SORA to text-to-story narratives, significantly advancing their individual voices and demonstrating the medium's capabilities as a new tool for art making, storytelling, and visual experimentation.

Looking ahead, the Daily Program Season 2 will focus on a carefully selected group of artists whose exceptional potential we are committed to supporting through dedicated curation, mentorship, and promotion. As AI tools rapidly evolve, these artists are at the forefront, exploring new dimensions within their creative practice. The Daily Program Season 2 provides a platform for artists to share their evolving journeys, breakthroughs, and ongoing dialogues with both their peers and collectors.

Group Show

Daily Program / Season #2

Overview

“We need to pay attention to what artists are doing. They have the sensibility to foresee where our world is going, and we need to support their visions.“

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