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Daily Program / Season #2
Feb 10 - Apr 15, 2026

Overview
"We need to pay attention to what artists are doing. They have the sensibility to foresee where our world is going, and we need to support their visions."
- Alejandro Cartagena
The Fellowship Daily Program's first year was dedicated to AI video, documenting one of the medium's most rapidly evolving periods. With contributions from 137 artists worldwide, creating over 3,500 unique works, the program stands as a comprehensive exploration of AI video's technical, aesthetic, and conceptual advancements from 2023 to 2024. Artists experimented boldly, from SORA to text-to-story narratives, significantly advancing their individual voices and demonstrating the medium's capabilities as a new tool for art making, storytelling, and visual experimentation.
Looking ahead, the Daily Program Season 2 will focus on a carefully selected group of artists whose exceptional potential we are committed to supporting through dedicated curation, mentorship, and promotion. As AI tools rapidly evolve, these artists are at the forefront, exploring new dimensions within their creative practice. The Daily Program Season 2 provides a platform for artists to share their evolving journeys, breakthroughs, and ongoing dialogues with both their peers and collectors.
Artworks:
Featured
All
Varitas Lucis is a body of work that explores light, time, energy, and emotion through the evolving language of AI as a medium. I am interested in uncovering the qualities unique to AI tools, their capacity to bend perception, to reveal glitches that are not mechanical but soft, poetic, and human. This has become my signature “soft glitch” aesthetic.
My background in photography, with a BFA from Pratt Institute, deeply informs this practice. Photography taught me to create with light and shadow as expressive forces, and my years as a graphic designer gave me fluency in tools like Photoshop, which remain integral in my process. Together, these experiences shape how I approach AI as both collaborator and medium.
I chase awe in my work, that quiet, expansive moment of wonder, of hope. Each piece is a negotiation between chaos and organization, reality and illusion, darkness and light. I want the energy to be felt, yet to land softly. Even when shadowed, the work ultimately leans toward the positive, reflecting my own human feelings back through the lens of technology.
Listen to an Audio Reflection from Jennifer Panepinto (QuantumSpirit) discussing this work.
