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Sheldrick

Morning Calm

Apr 23 - 24, 2024

Featured Exhibition Image

Overview

It's a project about Korean obsession with Western ideas, including war, consumerism, recreation, and control.

- Alejandro Cartagena

"Morning Calm" – Hypernormalization Coated in K-Pop Dreams.
David Sheldrick's artistic journey in "Morning Calm" is a visual odyssey through South Korea, capturing the essence of his personal experiences through the streets, offices, marketplaces, and blossoming landscapes of the country. Each piece evolves into a rich tapestry of memories, marking the artist’s voyage from childhood to the present. Engaging with artificial intelligence, Sheldrick transmutes these personal memories into objectified, abstracted, and beautified landscapes. His expansive tableaus extend an invitation to viewers, beckoning them to navigate the intricate labyrinth of South Korean culture—a tapestry interwoven with the past and the future, inspired by the history of photography, painting, and the world-building ambitions of gaming culture.
Sheldrick connects his work to a lineage of artists who transcended world orders—from Da Vinci and Hieronymus Bosch to modern visions found in 20th-century propaganda art and the dreamlike abstractions of today’s digital art culture. He focuses on identity in a post-colonial world, all through the glossy, mesmerizing lens of contemporary K-Pop culture.
The Relentless March of the Present
Sheldrick intricately weaves Adam Curtis’ concept of hypernormalization into his creations, using Korea as a canvas for a societal narrative hurtling toward an extreme reality where the authentic and the simulated blur. His art mirrors this shift, pushing the boundaries of what visual art can convey in an era defined by perpetual acceleration. Within Sheldrick's intricate tapestry, the tension between tradition and rapid modernization in Korean society surfaces as a central theme, becoming a poignant commentary on the disregard for historical neighborhoods in the name of progress, symbolizing the perpetual struggle between the past and the relentless march of the present.
Engaging with the Machine
In a nuanced dialogue with artificial intelligence, Sheldrick positions himself as both creator and conduit. By plugging his memories into the machine, he conjures new worlds that defy traditional artistic boundaries. AI helps to zoom into his dreamlike realms, revealing scenarios that showcase the bliss and abyss of industrialization and culture, the beauty of nature, and a focus on the mechanisms, rhythms, and orders of society. His compositions, coated with visual precision and magnitude, shift the focus from the individual to the interweaving patterns of society—a distinctly Asian perspective emphasizing the collective good over the radical individualism prevalent in the West. Influenced by thinkers like Jean Baudrillard, Sheldrick explores the intricate relationship between humanity and technology, transcending traditional artistic confines in surreal vastnesses of landscapes, populated by humans, nature, and futuristic sculptural elements that signify human involvement even in its representational absence. His work questions who truly drives the world: our intentions or the powerful pull of technology that has been steering us toward an unknown future for decades.
Positivity Amid Complexity
Departing from the dystopian aesthetics often prevalent in AI art, Sheldrick deliberately infuses his creations with positivity and fascination. The sprawling energy radiating from his images becomes a metaphor for societal shifts and accelerations, offering viewers a lens through which to navigate the complexities of the present with a sense of inspiration and reflection.
Text by Hendrik Lakeberg
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Sheldrick

The Beauty Of It All

2024

Provenance

Contract Address
Blockchain
Ethereum
Token Standard
ERC-721

Details

Artwork ID
86
NFT Edition
Unique
"Morning Calm" – Hypernormalization Coated in K-Pop Dreams.
David Sheldrick's artistic journey in "Morning Calm" is a visual odyssey through South Korea, capturing the essence of his personal experiences through the streets, offices, marketplaces, and blossoming landscapes of the country. Each piece evolves into a rich tapestry of memories, marking the artist’s voyage from childhood to the present. Engaging with artificial intelligence, Sheldrick transmutes these personal memories into objectified, abstracted, and beautified landscapes. His expansive tableaus extend an invitation to viewers, beckoning them to navigate the intricate labyrinth of South Korean culture—a tapestry interwoven with the past and the future, inspired by the history of photography, painting, and the world-building ambitions of gaming culture.
Sheldrick connects his work to a lineage of artists who transcended world orders—from Da Vinci and Hieronymus Bosch to modern visions found in 20th-century propaganda art and the dreamlike abstractions of today’s digital art culture. He focuses on identity in a post-colonial world, all through the glossy, mesmerizing lens of contemporary K-Pop culture.
The Relentless March of the Present
Sheldrick intricately weaves Adam Curtis’ concept of hypernormalization into his creations, using Korea as a canvas for a societal narrative hurtling toward an extreme reality where the authentic and the simulated blur. His art mirrors this shift, pushing the boundaries of what visual art can convey in an era defined by perpetual acceleration. Within Sheldrick's intricate tapestry, the tension between tradition and rapid modernization in Korean society surfaces as a central theme, becoming a poignant commentary on the disregard for historical neighborhoods in the name of progress, symbolizing the perpetual struggle between the past and the relentless march of the present.
Engaging with the Machine
In a nuanced dialogue with artificial intelligence, Sheldrick positions himself as both creator and conduit. By plugging his memories into the machine, he conjures new worlds that defy traditional artistic boundaries. AI helps to zoom into his dreamlike realms, revealing scenarios that showcase the bliss and abyss of industrialization and culture, the beauty of nature, and a focus on the mechanisms, rhythms, and orders of society. His compositions, coated with visual precision and magnitude, shift the focus from the individual to the interweaving patterns of society—a distinctly Asian perspective emphasizing the collective good over the radical individualism prevalent in the West. Influenced by thinkers like Jean Baudrillard, Sheldrick explores the intricate relationship between humanity and technology, transcending traditional artistic confines in surreal vastnesses of landscapes, populated by humans, nature, and futuristic sculptural elements that signify human involvement even in its representational absence. His work questions who truly drives the world: our intentions or the powerful pull of technology that has been steering us toward an unknown future for decades.
Positivity Amid Complexity
Departing from the dystopian aesthetics often prevalent in AI art, Sheldrick deliberately infuses his creations with positivity and fascination. The sprawling energy radiating from his images becomes a metaphor for societal shifts and accelerations, offering viewers a lens through which to navigate the complexities of the present with a sense of inspiration and reflection.
Text by Hendrik Lakeberg
Read More

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