Wild Wild West

It was quiet. Dust in the air, sun in their eyes.
Then... bang.
Another.
The wild rhythm of the West, echoing across the plains.
But it wasn’t the guns that finished it.
It was the wind.
A sudden howl, a swirling force,
sweeping it all into silence.
Sound design generated with AI

Daily Program / Season #2

MUSIC VIDEO I MADE FOR MY UNCLES BAND

This work carries a deliberate ambiguity. Titled it as though it were a music video for my uncle’s band, though neither the song nor the band are truly present. This slippage between fact and fiction, between what is real and what’s imagined, is part of the pleasure of working with AI tools. It opens a space where contradictions coexist, but authorship, context, and meaning remain fluid.
What interests me is this tension between the obvious and the uncertain. AI allows me to explore the boundaries of truth, invention, and play, and to create works that embrace the instability of both image and narrative.
ABCDJ

BEST FRIEND

Best Friend unfolds as a gesture of gratitude to friends, family, and lovers. It drifts between the intimacy of a dream and the watchfulness of a surveillance state, where moments feel at once private and exposed.
The work lingers in the paradox of tenderness and unease: a romantic celebration of the fleeting, as if no one is watching, yet preserved with the weight of permanence. Rather than looking back in regret, it honors the fragile beauty of presence, inscribing ephemeral encounters as though etched in stone.
ABCDJ

MANZANITA

Manzanita is an instrumental work composed with AI. An experiment that carries the intimacy of a home-recorded demo while revealing glimpses of its own potential. For the video, I turned toward a 2D paper cutout stop-motion aesthetic, weaving in motifs of Western culture and casino iconography.
At its core, the piece reflects both the possibilities and the unpredictability of AI. A prompt can bring us close to what we imagine, yet rarely delivers exactly what we imagine. The process feels like chance itself like spins of a slot machine, where luck and intention meet.
Manzanita stands among the most evocative AI compositions I have worked with to date. It opens a space for experimentation in sound and visual language. It points toward future explorations of this hybrid, dreamlike style.


Forms in Presence explores geometry in the world around us — the subtle rhythms, hidden connections, and coincidences that appear without planning.
Sound by Elena Lazutina

● ● ●

Forest for the Trees

The title references the difficulty of examining details closely while also stepping back to see the whole. The scene suggests an alien landscape with strange physics, paired with audio inspired by analog tape music.
Generated with Udio, edited in DaVinci Resolve

Redefinition

Vertical bars form the sorceress and ball, recalling monospace typography arranged in columns. Text-like fragments drift downward, representing a transition from text art into video work that incorporates typographic elements. The music floats and falls with the ball's motion.
Generated with Udio, edited in DaVinci Resolve

Touch Typing

The title refers to the disconnect between actions that were once physical but are now digital. We still use an hourglass to represent “time,” even though we rarely use hourglasses to keep time anymore. And we still use the word “keyboard” when it’s on a touch screen, despite the lack of physical keys.
Generated with ElevenLabs, edited in DaVinci Resolve

Crystal Lake

A quiet summer evening on the shore of a calm, moonlit lake. A graph forms the horizon line, resembling cliffs or dunes on the other side of the water. Scattered numbers twinkle in the sky like stars.
Generated with ElevenLabs, edited in DaVinci Resolve

Ruled Surface

Numbered lined segments form the tracks of an infinite roller coaster.
Generated with ElevenLabs, edited in DaVinci Resolve

Sub-bass

A glowing fish swims in loops through a subaquatic landscape of sound.


Clavilux

Light and sound moving independently, instead of depending upon each other. Named for Thomas Wilfred's 1919 instrument for performing “lumia,” the art of light in motion.
Generated with Udio, edited in DaVinci Resolve

Alice’s Adventures in Wonderland

Alice’s Adventures in Wonderland

Visuals created using midJourney v7

Animated with Hailuo AI – Start/End Frames

Music generated with Udio

udio

Replicated Without End

The algorithm flickered through masks, discarding one after another, until the system reached equilibrium: a single grotesque design replicated endlessly.
Generated with Udio

Equilibrium of Steel and Skin

He laughed as the hood rippled.
Skin fused with steel, pulse with engine.
Each grin replicated across the car’s surface.
Until the machine no longer needed a driver.
Generated with Udio

The Hungry House

The floor rippled like a stomach’s lining.
Shadows clung, moist and fibrous.
Her cry traveled no farther than the wall’s gut.
The house ate, and hunger dimmed.

Carnival of Sugar and Rot

She thought she was in costume, part of a skit.
But the costume seeped inward, knitting bones to rubber.
Her friends laughed, not knowing the puppet was real.
The studio smelled of sugar and rot.
Generated with Udio

Rabbit Ears, Human Screams

They thought it was comedy, fabric stitched for applause.
But the fabric remembered hunger.
Faces sealed shut, smiles stitched open.
The set swallowed them, and the laugh-track fed.
Generated with Udio

Candy Flesh Procession

They shed their names like skins, traded muscle for rubber,
and bounced laughing into the wet throat of the cavern.
The walls were crowded with faces, all screaming the same note.
It was not death that awaited—it was absorption into the chorus.
Generated with Udio

The Refusal to Speak

This piece resists even its creator.
It offers no map, no key.
Meaning collapses into spectacle,
and the spectacle collapses into silence.
Generated with Udio

Sweet Rot Parade

They carried their baskets like crowns,
until flesh forgot its contract with bone.
Color devoured memory,
and the market became a carnival of dissolution.
Generated with Udio

Dimittas

Varitas Lucis is a body of work that explores light, time, energy, and emotion through the evolving language of AI as a medium. I am interested in uncovering the qualities unique to AI tools—their capacity to bend perception, to reveal glitches that are not mechanical but soft, poetic, and human. This has become my signature “soft glitch” aesthetic.

My background in photography, with a BFA from Pratt Institute, deeply informs this practice. Photography taught me to create with light and shadow as expressive forces, and my years as a graphic designer gave me fluency in tools like Photoshop, which remain integral in my process. Together, these experiences shape how I approach AI as both collaborator and medium.

I chase awe in my work—that quiet, expansive moment of wonder, of hope. Each piece is a negotiation between chaos and organization, reality and illusion, darkness and light. I want the energy to be felt, yet to land softly. Even when shadowed, the work ultimately leans toward the positive, reflecting my own human feelings back through the lens of technology.

Porta Lucis

Varitas Lucis is a body of work that explores light, time, energy, and emotion through the evolving language of AI as a medium. I am interested in uncovering the qualities unique to AI tools—their capacity to bend perception, to reveal glitches that are not mechanical but soft, poetic, and human. This has become my signature “soft glitch” aesthetic.
My background in photography, with a BFA from Pratt Institute, deeply informs this practice. Photography taught me to create with light and shadow as expressive forces, and my years as a graphic designer gave me fluency in tools like Photoshop, which remain integral in my process. Together, these experiences shape how I approach AI as both collaborator and medium.
I chase awe in my work—that quiet, expansive moment of wonder, of hope. Each piece is a negotiation between chaos and organization, reality and illusion, darkness and light. I want the energy to be felt, yet to land softly. Even when shadowed, the work ultimately leans toward the positive, reflecting my own human feelings back through the lens of technology.

Non Hodie

Tres Potestates

Deus Meus Stellis Plenum Est

Salve Vetus Amicus

Redire

Obscura Materia

Saltare

Cordialis

Connexa

Invisibilis

Aura

Varitas Lucis is a body of work that explores light, time, energy, and emotion through the evolving language of AI as a medium. I am interested in uncovering the qualities unique to AI tools—their capacity to bend perception, to reveal glitches that are not mechanical but soft, poetic, and human. This has become my signature “soft glitch” aesthetic.
My background in photography, with a BFA from Pratt Institute, deeply informs this practice. Photography taught me to create with light and shadow as expressive forces, and my years as a graphic designer gave me fluency in tools like Photoshop, which remain integral in my process. Together, these experiences shape how I approach AI as both collaborator and medium.
I chase awe in my work—that quiet, expansive moment of wonder, of hope. Each piece is a negotiation between chaos and organization, reality and illusion, darkness and light. I want the energy to be felt, yet to land softly. Even when shadowed, the work ultimately leans toward the positive, reflecting my own human feelings back through the lens of technology.


Trabem

Stragulum

Ter Ridet

Lacuna

Ad Superficiem

Lux Amicis

Patet

Occurrens

Forma

Proiectura

Turbo

Dispersi Sunt

Trahentium

Tria Seorsum

Exspecta

Ventus

I'm tired.

Our separate ways

Seasons change.
People change.
I change.


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Tunnel Vision

A looped descent through a surreal tunnel filled with a shifting face. It explores the fragmentation of identity in motion. Faces shift, merge, and disappear as a figure moves through a warped time tunnel of self. Inspired by a single still, this piece drifts between memory, persona, and motion. The tunnel becomes a passageway where each shift rewrites who they are.

Udio

Soft Panic

A woman paces through her home in a soft panic. She starts alone, not blinking, as if time has slid off its rails. The camera follows a small path through the rooms and memories while color, texture, and style shift as we slowly get a glimpse of what has happened. The piece was inspired by a single still of the woman with wide eyes and I wanted to see where we would go if I kept the loops moving.

Udio

Bitrate Drop

A loop inspired from early 2000s desktop textures, photoshop art, old gifs and noisy compression. A runner sprints and dives through screens and water, duplicates appear, then the scene resets. The image leans into pixelation like a file saved one too many times. The loop treats imperfection as the style, turning speed, error, and nostalgia into one motion that always returns to start.

Last Drive

“Last Drive” stages the scrapyard as an allegory of death—an inevitable destination shared by countless vehicles, just as humans share the certainty of mortality. A zooming perspective reveals hundreds of trajectories branching out in all directions, only to collapse back into the same terminal ground. A single path is highlighted, traced backward until it reaches the memory of a car in motion on the open road. The piece oscillates between collapse and vitality, between the inevitability of endings and the fragile beauty of life caught in motion.

Dome of Order

“Dome of Order” transforms fragments of an image into a mandala-like architectural structure. Each shard is arranged symmetrically, converging into a dome that appears at once systematic and fragile. The work explores the tension between imposed order and inherent disorder, where algorithmic arrangement gives rise to spiritual or religious resonances. The dome suggests both shelter and confinement, a structure of control that promises harmony while exposing its own artificiality

Fixed Perspective

“Fixed Perspective” examines the fragile boundary between virtual and real through the language of line. A single angle produces seemingly perfect outlines, yet when the view shifts, the lines collapse into distortion and noise. The work captures the paradox of digital beauty—precise and idealized in one perspective, broken and chaotic in another. By exposing the glitch, the piece asks us to consider what is lost in translation between reality and its virtual double.

The transmargin adventures of a jpg

A transmargin adventures of a jpg is a videosong made with midjourney part of The consensus of reality. The adventures is a exploration over camera movement, anamorphism and kinetic art in midjourney.
SunoAI Music output

At the supermarket

In the supermarket is a videos song part of The Consensus of Reality. This one is the longest song, the more hyperpop, and aslo, the more critical, it take the supermarket as a main character, and the supermarket revels himself, throwing boxes, stopping advertizer and products to the humans and the shoping carts running wild, all of this thinking when you are a kid and get lost in the supermarket, everything is wonderful and a great adventure, until you realize that you are lost. 
Music with suno ai.

the value (a shadow cast by collective meaning)

The Value (a shadow cast by collective meaning) is part of The Consensus of Reality musical video series. This one was made by returning to a old prompt about the Yami Ichi, a digital art flea market, adapting the prompt to the Consensus of Reality (CoR) prompts, but with a twist: I was looking for a more photographic outputs with the CoR drawing characters. And I was able to made the results. Then I start thinking more about the flea market in the third world and the street, dialy economy, where aslo people like the delivery or the one working in maquilas or the musician and a large part of the artistic community live in the nearby of the economy, in the periphery. So The Value (a shadow cast by collective meaning) is in part a audivisual enssay about modern work. :) Audio with suno ai

you (the consensus) to me (reality)

you (the consensus) to me (reality) is the six song of The Consensus of Reality EP and it's one of my favorite, a cute ballad for hards times. The video is one of the last I made form the collection so i had a lot of video for this one, but the message its simple, its a love ballad, sometime sad sometime hopefull so i went with the crying eyes that i had prompted a lot.
Suno ai

WOMAN TREE

LIGHT

GANG

NOBODY

REST

ARTIST

COUPLE

Violence

Love

Copulation

Duplicate

Project x

Fairy

Birds

The Fellowship Daily Program's first year was dedicated to AI video, documenting one of the medium's most rapidly evolving periods. With contributions from 137 artists worldwide, creating over 3,500 unique works, the program stands as a comprehensive exploration of AI video's technical, aesthetic, and conceptual advancements from 2023 to 2024. Artists experimented boldly, from SORA to text-to-story narratives, significantly advancing their individual voices and demonstrating the medium's capabilities as a new tool for art making, storytelling, and visual experimentation.

Looking ahead, the Daily Program Season 2 will focus on a carefully selected group of artists whose exceptional potential we are committed to supporting through dedicated curation, mentorship, and promotion. As AI tools rapidly evolve, these artists are at the forefront, exploring new dimensions within their creative practice. The Daily Program Season 2 provides a platform for artists to share their evolving journeys, breakthroughs, and ongoing dialogues with both their peers and collectors.

Group Show

Daily Program / Season #2

Overview

“We need to pay attention to what artists are doing. They have the sensibility to foresee where our world is going, and we need to support their visions.“

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Inquire about Wild Wild West by Elsa Carvalho

Elsa Carvalho

Wild Wild West

2025

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