Karoline Georges is a multidisciplinary artist, novelist, and pioneer in the field of digital art, based in Quebec. With degrees in cinema and interdisciplinary arts from the University of Quebec at Chicoutimi and in art history from the University of Quebec at Montreal, she employs virtual photography, video, text, 3D modeling, and artificial intelligence to create works that transcend the boundaries between these disciplines.
Author of eight books, including the award-winning and internationally translated bestsellers De synthèse and Sous béton, her creations, positioned at the intersection of visual arts and literature, have been recognized with numerous distinctions, such as the FutureFest Award in the UK, the Prize for Artistic Creation and the Artist of the Year Award from the Conseil des arts et des lettres du Québec, the Excellence Award from the Arts Family and the Department of Art History at the University of Quebec at Montreal, as well as the Aurora Boreal Award for Best Science Fiction Novel and the Governor General’s Literary Award, Canada's highest literary distinction.
Karoline Georges explores the multifaceted relationships between AI and human becoming. Inspired by evolutionary theories and transhumanism, her hybrid works, inhabited by 3D avatars, artificial consciousnesses, and androids, investigate the impact of the digital age on our perception of reality and identity. Her immersive and poetic universes question the human condition through themes of memory, the veneration of images, mutation, and the pursuit of the sublime.
Her works have been featured in numerous solo and group exhibitions and showcased worldwide at various international events such as the FILE Electronic Language International Festival, the Athens Digital Arts Festival, Les Rencontres Internationales Paris/Berlin/Madrid, and the International Biennial of Contemporary Art of Cartagena de Indias. Many of her AI-generated images have also appeared on book covers and been published in magazines. Her first AI-generated works have been acquired by the Tezos Foundation's Permanent Art Collection.