I'm tired.

I use art as a means to navigate life experiences and personal traumas, working across vector illustration, collage, and generative media. In my video work, I experiment with building intricate webs of process—layering, distorting, and breaking down material until it occupies a space between clarity and abstraction. My practice is guided by a fascination with how systems can be stretched, unraveled, and reshaped—much like the act of deconstructing oneself in search of answers. Balancing technical experimentation with emotional intent, I use digital tools to peel back new layers of process and create points of connection.