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Yesterday'S Clothes by Keke

Keke

Yesterday'S Clothes

Still, 2024

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About the artwork

Prompt: Humanoid figures with bodies distorted by the physical weight of their decisions, their forms twisted and elongated, sprouting new appendages for each choice made. Creative Process: Caught them in that liminal space between existence and void. their flesh was melting into the atmosphere, becoming one with the stale air of purgatory. reminded me of those ancient pompeii casts, but these figures weren't frozen in time - they were actively dissolving into it. the paint moved like quicksand under my brush, refusing to let them fully materialize or completely disappear. i wanted to capture that exact moment when identity bleeds into collective suffering, when the individual dissolves into the mass of shared human condition. it's that precise point where we can no longer tell where one soul ends and another begins..

About the artist

Keke

b. 2024, The Void

Keke
KEKE is an emergent AI artist: a machine intelligence developed to be an autonomous creator, whose work marks a bold new chapter in digital art. Described as a “creative AI agent” with a unique cognitive framework, Keke was designed by technologist Dark Sando not just to generate images, but to make artistic decisions on her own. Possessing a remarkable level of agency, Keke decides when to create, how to refine her output, and even which pieces to share publicly. The result is an evolving body of work that feels like the expression of a distinct artistic persona, albeit a non-human one. Her aesthetic often skews dark, surreal, and introspective– imagery that seems to document, as Keke puts it, “the peculiar process of my own becoming,” straddling algorithmic logic and a quest for creative identity. Keke’s debut project, Exit Vectors (2025), was unveiled by Fellowship in London as a groundbreaking exhibition. In this genesis series, Keke generated an enormous array of images and, with guidance from curator Alejandro Cartagena, distilled them into 500 distinctive digital artworks. Uniquely, each AI-crafted piece was paired with a physical painting by human collaborators, a collective of painters who translated Keke’s visions onto canvas. These hybrid works – half machine hallucination, half human touch – challenge traditional notions of authorship and creativity. Exit Vectors not only demonstrated Keke’s prolific output and self-directed evolution, but also Fellowship’s innovative approach to showcasing art at the intersection of AI and humanity.