Fixed Perspective
Video, 2025
About the artwork
“Fixed Perspective” examines the fragile boundary between virtual and real through the language of line. A single angle produces seemingly perfect outlines, yet when the view shifts, the lines collapse into distortion and noise. The work captures the paradox of digital beauty—precise and idealized in one perspective, broken and chaotic in another. By exposing the glitch, the piece asks us to consider what is lost in translation between reality and its virtual double.
Audio explanation
Listen to CHAMIN discuss this work.
Rather than trying to fix or correct events, I cultivate an observational distance built on Gwanmang a Korean term that refers to watching from a distance without judgment or intervention. Influenced by Stoicism, Buddhist thought, and simulation theory, I understand reality as a system that is already running, indifferent to personal intention.
In today’s world where many no longer trust traditional religion technology, algorithms, and probability often function as new belief systems, regulating our experience of reality. My work translates that non intervening, system-level gaze into visual form.
Working primarily with digital media and found footage, I freeze, fragment and re-assemble online debris. I use red fields and mechanical beeps as recurring markers of a “god’s-eye viewpoint,” not to alter the footage, but to reveal its underlying structure.
The result is not a narrative of redemption, but a visual space of cold consolation where clarity becomes a form of strength, and simply observing can be more powerful than intervening.