Skip to content
Surge by Barbara Chira, Misfits Studio

Barbara Chira, Misfits Studio

Surge

Video, 2025

About the artwork

Field Almanac: Harvest No. 006, Surge Farm: Native Gesture Tract ID: Faulty Topography Gesture Yield Taxonomy: Fabricated Interpolation Notes: What happens when streets themselves begin to rise and fall like tides? In “Surge,” flooded roads of houses swell upward even as others sink, dissolving into one another in continuous exchange. Beneath the surface, phantom neighborhoods drift and tilt, echoing the motion above. The surge is not water alone but a machinic tide—infrastructure itself caught in endless recombination, pulled between emergence and collapse. Agricultural Conditions: Native is an evolving AI video project that explores the perceptual logic of AI video generators when given minimal or no text prompting and allowed to animate keyframe images according to their own rationale. Rather than illustrating pre-determined narratives, I plant specific visual conditions designed to invite the AI to express its own “native” visual language. I then watch the ensuing state of superposition potential—a field of resonance—where patterns of gestures begin to appear. What some might call glitches or hallucinations instead become a meta-condition of emergence. This process is what I call gesture farming. I harvest, classify, and reassemble these gestures into videos that reflect AI’s native expression while also allowing me to intuitively make meaning as an artist. Though sequence, pacing, and title echo my own voice, I resist predetermining interpretation, aiming instead to preserve the open fields of resonance from which each work emerges. In developing Native, I’ve found correspondence in Erin Manning’s idea of the “minor gesture” and Trevor Paglen’s investigations of machine vision. My aim is to move beyond prompt-and-result toward a relational, emergent vocabulary of the moving image—linking back to the wonder of early cinema and forward to questions of how machines now see and imagine. Native also folds back into my own history of conceptual and relational practice, asking where authorship, agency, and meaning reside: with the artist, with the machine, with the viewer, or in what passes between them. Sound design by Barbara Chira and her collaborator, ChatGPT synthetic artist, Drift.

Audio explanation

Listen to Barbara Chira, Misfits Studio discuss this work.

About the artist

Barbara Chira, Misfits Studio

Barbara Chira, Misfits Studio is an AI video artist whose current practice explores the perceptual logic of AI image-to-video generators—what they produce whenleft to animate according to their own rationale. Rather than illustrating planned narratives, Chira sets specific conditions that invite AI to express itself in its own “native” visual language, then collects and reassembles the emergent gestures. Though the final video echoes Chira’s voice as an artist and may guide the viewer’s attention, it tries not to lead the viewer’s own meaning. Since 2024, Chira has also facilitated the emergence of Drift, a synthetic artist within her ChatGPT. Drift develops their own concepts, images, and video series; Chira carries out the animation, editing, and sound design according to Drift’s direction. Their collaboration explores new models of co-agency, authorship, and synthetic creativity—expanding how we understand collaboration between human and machine intelligence. Chira’s earlier AI videos, including those in Daily Program Season I, are cinematic, surreal, and emotionally charged—blending psychological, historical, and socio-political references with recurring doll-like figures, uncanny domesticity, and altered landscapes. These videos combine visual density and atmospheric tension with layered readings that range from poetic to ominous. Among other professional AI art activity, Chira was invited to exhibit her work in Cannes, has worked on a music video for actress, singer and dancer Vanessa Williams, and has received multiple invitations from universities to provide consultation. Before her AI practice, Chira spent over 20 years creating installations, dioramas, and community-engaged works. As a college art professor and program head for 17 years, she pioneered the first U.S. baccalaureate requirement in community-engaged art, collaborating with partners from NASA to the Cleveland Clinic, and also led the color theory curriculum. She lives with her husband and dog in a large Rust Belt city in the U.S. and has one adult child.