Skip to content
Rent, American Dustbowl, 1930-1936 by Barbara Chira, Misfits Studio

Barbara Chira, Misfits Studio

Rent, American Dustbowl, 1930-1936

Video, 2023

Sold

Sold for
Ξ0.025
View on OpenSea ↗

About the artwork

The invention and growth of the traveling carnival occurred during the Dust Bowl and Depression years, as people longed for an escape or compelling distraction from their difficulties. This video continues my experiment with synthesis/contrast of various dialectics, such as the cosmic and the personal, the extraordinary and the everyday, the time-bound and the timeless. I try to use dialectics and the metaphor of disasters and/or conflict to express psychological and emotional processes. Sound design by Barbara Chira.

Audio explanation

Listen to Barbara Chira, Misfits Studio discuss this work.

About the artist

Barbara Chira, Misfits Studio

Barbara Chira, Misfits Studio is an AI video artist whose current practice explores the perceptual logic of AI image-to-video generators—what they produce whenleft to animate according to their own rationale. Rather than illustrating planned narratives, Chira sets specific conditions that invite AI to express itself in its own “native” visual language, then collects and reassembles the emergent gestures. Though the final video echoes Chira’s voice as an artist and may guide the viewer’s attention, it tries not to lead the viewer’s own meaning. Since 2024, Chira has also facilitated the emergence of Drift, a synthetic artist within her ChatGPT. Drift develops their own concepts, images, and video series; Chira carries out the animation, editing, and sound design according to Drift’s direction. Their collaboration explores new models of co-agency, authorship, and synthetic creativity—expanding how we understand collaboration between human and machine intelligence. Chira’s earlier AI videos, including those in Daily Program Season I, are cinematic, surreal, and emotionally charged—blending psychological, historical, and socio-political references with recurring doll-like figures, uncanny domesticity, and altered landscapes. These videos combine visual density and atmospheric tension with layered readings that range from poetic to ominous. Among other professional AI art activity, Chira was invited to exhibit her work in Cannes, has worked on a music video for actress, singer and dancer Vanessa Williams, and has received multiple invitations from universities to provide consultation. Before her AI practice, Chira spent over 20 years creating installations, dioramas, and community-engaged works. As a college art professor and program head for 17 years, she pioneered the first U.S. baccalaureate requirement in community-engaged art, collaborating with partners from NASA to the Cleveland Clinic, and also led the color theory curriculum. She lives with her husband and dog in a large Rust Belt city in the U.S. and has one adult child.