Honey, I Blew Up My Tits
Iframe, 2021
Loading auction…
About the artwork
In Honey, I Blew Up My Tits, Lorna Mills deploys her signature technique of video deconstruction and pixel ripping to create jarring tableaus that denature content's original meaning and recontextualize it in her fastidious compositions that are uniquely rooted in the artist's pitch-black humor. Created in a gesture of good faith, Mills extends this pornographic moving image frieze as a sultry & scintillating offering to the new generation of avid NFT collectors. Courtesy of TRANSFER Data Trust.
Canadian artist, Lorna Mills has exhibited her work in solo and group exhibitions since the early 90s. Her practice has included Ilfochrome printing, super 8 film & video, and animated GIFs incorporated into restrained installation work. Past exhibitions include “Dreamlands” at the Whitney Museum, NY, “Yellowwhirlaway” at the Museum of the Moving Image, NY, “Sea Change” at the Pérez Art Museum Miami and most recently AliveNET at Nguyen Wahed in NYC.
She curated “Ways of Something”, a remake of the 1972 John Berger documentary “Ways of Seeing” episodes one through four, featuring over 115 networked artists and WellNow.wtf, a sprawling netart project co-curated with Faith Holland and Wade Wallerstein.
Her Gif collages have recently been included in PHAIDON's “Vitamin C+ Collage in Contemporary Art”, “Digital Art” (2023 edition) by Christiane Paul and Taschen’s “On NFTs” edited by Robert Alice.