Mirage (Olga Fedorova)
Video, 2023
About the artwork
"Color Fields" begins with simple line drawings that evolve into complex works where gravity and matter seem to dissolve into vibrant mixes of color and form. This transformation suggests a journey from the basic to the complex, highlighting the unexpected and serendipitous nature of the creative process.
The series is characterized by a meditative, non-verbal quality that emphasizes emotion and visceral connection to color, rather than narrative or social commentary. The interaction between colors and shapes in both the portraits and landscapes provokes a contemplative state, inviting viewers to explore their own internal landscapes and feelings.
Portraits in "Color Fields" reflect the fluid and transformative nature of self, devoid of a verbal narrative. They appear as dynamic entities, changing and evolving, defined by the colors and shapes that they take in and radiate. Landscapes offer a view into the illusory nature of reality, presenting scenes that fluctuate between clarity and abstraction, serving as metaphors for personal perceptions of time and space.
In sum, "Color Fields" offers a tranquil space for emotional exploration, steering viewers away from verbal analysis towards a more visceral and introspective engagement.
Audio explanation
Listen to Olga Fedorova discuss this work.
Olga Fedorova, based in Brussels, meticulously crafts her artistic narrative within the realm of contemporary art. Her diverse body of work and projects has found a stage in both solo and group exhibitions, gracing galleries and museums across Europe.
Recent highlights in Fedorova's exhibition trajectory include solo and duo showcases at prestigious venues such as Tatjana Pieters in Ghent (BE), where she collaborated with Joachim Coucke, Watermans Arts Centre in London (UK), Ojartspace in Istanbul (TU), Palazzo San Giuseppe in Polignano a Mare BA (IT), Art4museum in Moscow (RU), and Annka Kultys Gallery in London (UK).
Fedorova has made impactful contributions to group exhibitions at notable institutions like Mudel in Deinze (BE), Safari Studio in Kortrijk (BE), Biënnale van België in Floraliënhal Ghent (BE), Electromuseum in Moscow (RU), and Future Gallery in Berlin (DE). Beyond physical spaces, her video works have left a digital imprint, being featured in virtual exhibitions such as The Wrong Biennale, DaDa Club Online, and Felt Zine.
With a footprint in the cultural landscapes of various European cities, Fedorova continues to captivate audiences with her nuanced exploration of contemporary themes and mediums.